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cover artwork 2009 Carl W. Scarbrough.
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Reviews
(for goodness' sake)a new collection of poems
Sadi Ranson-Polizzotti
On the cover, a woman's exposed neck thrown back and lain bare before us: do we go for the jugular and slit her throat or do we offer a kiss and a caress?
Small wonder that in his introduction to Sadi Ranson-Polizzotti's new book of poems entitled (for goodness' sake), Chris Madoch notes that Ranson's latest book reads like "Breakfast at Tiffany's" meets "In Cold Blood."
By turns both daring and delicate, a work of honesty and surrender, rendering the narrator and the reader exposed and vulnerable, Ranson-Polizzotti's writing borders on the recklessly-honest. The choice she offers us--to kill or to consummate--is always front and center, and if we will not make it, the narrator is quite clear, she will make it for us.
As she writes in the poem *P.S.,
"I occupy this space now.
X. marks the spot.
The next move will be mine."
The writing here touches on all of the senses and hits the high note, taking its cue from Yeats, reaching, yearning and beckoning to us with all the tastes and sounds and smells of the different seasons as we navigate our world and our lives. This is done spoken almost spoken in one giant mind-breath of prose-poetry reminiscent of Ginsberg with lyrical touches of John Ashbery and other New York School poet nods and more that intertwine like a partita in Ranson's writing.
Still, like Capote, while Ranson has drawn on her influences, and her work is fully owned and occupied by her. But following in the footsteps of Holly Golightly, she is "sapling green", as she notes, "I am growing."
Some Response
At last I cleaned up the great lottery stubs of you – all of them losses. You and every past or passing thing, even this day, I bundled the all of it together and tied it into deliberate logs like so much kindling, eager for the strike. The only reasonable thing to do was strike a match.
So I did.
No ghosts or prophecies arose from the smoke. All those symbols and signs: they never did mean a thing. Yes, this is a time of chaos, but as I've so often said, Chaos is but an illusion: use your reason. Integers repeating so predictably. Life's little travesties – again and again and again.
You – you tiptoe the cracks of the pavement. Skirt the edge; skim the surface, (all the euphemisms that fit). But I, I am done. I'm checking out. Sympathy and souvenirs tucked between the pages of books.
Treasured volumes inscribed with empty words, "love" and "remember", and so forth.
There is something so very wrong with such sentimentality – A sloppy, vivid dream. Yes, sure, I leafed through the all of it – And it was all so very pretty: history honeyed and sweet. And I! There on the bookshelf, framed and smiling, skin flush: cheekbones luminous and lit. Why I look ripe as an apricot!
I found a great bucket and filled it with water. Threw the full of it on the all, and the years blurred together – a watercolor hemorrhaging – shrugging off its veneer. Beneath my giant umbrella, I jumped and I splashed in the muddy puddles of my past. I whooped. I danced. In one graceful, arc I leapt the length of it – a perfect ballet privé – No one to bear witness, but I knew. I knew.
My dark mood is wooing me to no particular end. It is a nocturne without intent – it has no want. It is Because and that is Why.
What of belief now? You tell me, "Grief teaches one to divest."
There is a certainty in the solitary. The only sure things are the simplest. The telephone will ring – the calls will go unanswered. The full-moon's rabbit will still be visible from everywhere –even from where I am not.
Leaves will fall each autumn. Yes, collect them if you must, but do not ascribe any meaning. It means only this: summer has ended – things die. Cold is a certainty. You'll know it soon enough. You'll feel it in your bones. Last night, I read a poem that chilled me to the quick. The last stanza's final line,
New love sacrificed on the altar of an antique marriage.
I almost laughed, but not quite, for it was not at all funny. Yes, sacrifice your new love, I thought, but why would anyone make such a choice? Why even I am not fool enough to make mockery of the pure and true: other half you.
The poet turned his once-in-a-lifetime so easily into agnus dei
A maiden sacrificial; a lamb to appease this Other, waiting so eagerly in the dark. It was not Love itself he was sacrificing, but his suspected lover – (such a dirty, dirty word). The whole poem had the rank stench of the faithless: this, and the sound of settling. If I had absolution, holy host, I would not feed it to this poet. I would snap the wafer in two. Leave it in bits on some unmarked, unholy path.
It wouldn't change a damn thing: the heavens would not part. Everything last has thing has already been torn into ragged twos –such unnecessary fissures. See how they bleed and bleed and bleed and god the ache...
Why I have been sucked dry by experience. I will play my violin solo. I will be the thought that does not occur. No longer shall I evaluate or calculate.
I will not do the math nor sort out the variables. To hell with the equation. There is freedom in lack of expectation. And I was so very sure!
There is no message or subtext. I will not learn from this. I have nothing earth shattering or profound to say. We're all just saving face anyway. Yes, yes, I understand... I once thought ... nevermind.
There is, never was, anything original here. Some people take what life offers instead of offering themselves to life. It is a bell you ring or do not ring. Me, I pull hard the rope – Swing until the clapper licks the bell's bronzed sides. Listen: do you hear? Perhaps this means nothing. But I am trying. I have smashed my nest to bits. I am choking on absurdities. Odd how life shifts in one instant and you are blindsided. Yes, I care, you care, she cares, they care, we all care... So what. There's nothing to be done about it now. Shoulda woulda coulda.
I've grazed my elbows, ankles, knees – my heart. Please! Stop the Song of Songs and take away the other stanzas! They're all the same.
I am diving deep now. I am withholding my sighs.
Come spring I will walk alone. Perhaps I will hopscotch through Brooklyn. Maybe skip beneath the cool shade of linden trees at Prospect. I will be utterly impetuous. I will run fast. I will hide. I will be found, but only when I want. I shall make my just choices.
Copyright © 2009. Sadi Ranson-Polizzotti. Re-printed by permission of the author.
You Read It Here First
Privet near-far far-near truth inexorable.
The direction returns each year –
a necessary certainty: will you have any?
The space that surrounds you: waxing scent, a sigh in the air.
It cannot help that it is green – this is just the situation.
We can dance to it! The trees will not chide us.
Nothing mediocre here: exceptional really.
June's clever clover-chains – they'll just have to do –
No daisies today.
I will string them together, a long garland. Perhaps I'll wear it.
Yes, the libidinous frightens, even if the instinct is pure.
It is no difierent from the ripening of fruit on the tree,
or the silent blossoming of flowers.
I want to make-out in the park.
Unusual for me – but I think I'll be alright.
I imagine leaving refreshed – briskly alive –
perhaps a bit
disheveled.
Bathed in dappled shade commonality reverberates.
This is innocence to me.
Yes, the years could reverse to nothing in particular.
But this is so precise and exacting.
I like how it tastes: like apricot jam or orange-blossom honey.
I want to dip my finger in. I want to lick my lips.
I am dying for a taste.
I am replying to the spring.
Not anything I anticipated. Can't I just wear this for a while?
It leaves me trembling.
I had to tell you about it anyway...
At least before I quit, before I drift,
and the future closes in and I am lost to it forever.
Right now, I have no hesitation, perhaps some caution.
How I love the scent of privet: I could fall in love.
You read it here first.
Copyright © 2009. Sadi Ranson-Polizzotti. Re-printed by permission of the author.
for goodness' sake Copyright © 2009 Sadi Ranson-Polizzotti. All rights reserved by the author. Please do not copy without permission.

Author Bio
Sadi Ranson-Polizzotti is a Scottish poet and author living in the United States who has published widely in the United States and in Europe. She writes for many print and online publications, and is widely known for her prolific output. Ranson-Polizzotti is the Founder and Editorial director of The Tant Mieux Project and Bob Dylan on Tant Mieux She has written widely about Bob Dylan and is a frequent speaker at The New School, the 92nd Street Y and other venues. Ranson-Polizzotti is also well known as a Lewis Carroll scholar and is a member of the New School for Carroll Studies – Contrariwise. She is Senior Cultural & Political Editor of Cyrano's Journal, with editors Gore Vidal, Noam Chomsky, Patrice Greanville, among others. Her writings have been compared to Elizabeth Smart's classic, By Grand Central Station I Sat Down and Wept, among others.
She has several forthcoming titles, her latest is entitled (for goodness' sake), which is being published in a worldwide co-edition by Twilight Times Books (U.S.) and Alyscamps (Paris).
Ranson has worked in publishing for her entire career, first at Condé-Nast Publications (the same program that employed Sylvia Plath and which served as the backdrop for The Bell Jar where Ranson worked at a number of magazines, including Vogue. Following this, Ranson worked at The Atlantic Monthly, Partisan Review, David R. Godine, Publisher before founding her own imprint, Lumen Editions which met with considerable success and whose mission was to publish literary works in translation as well as first-time authors. As Founder and Editorial Director, Ranson published, among many other writers and artists; Hans Koning, Marguerite Duras, Max Blagg and Ralph Gibson, and Jean Echenoz. On her board were such notables as Nobel Prize Winner Saul Bellow.
TTB title: (for goodness' sakes)
Author web site.
###
To order this book:
Format: PDF, HTML, Palm
Payment Method
PayPal -or- Credit Card -or- eReader -or- Fictionwise -or- OmniLit -or- Sony eBookstore
List Price: $6.50 USD ebook
Format: Trade Paperback
Available Sept. 5th!
Order this book via check or credit card
~ or visit ~ Amazon; Bamm.com; Barnes & Noble Borders; Indy Bookstores
List Price: $16.95 USD
Author News
Upcoming Appearances
Book party and reading featuring Sadi Ranson-Polizzotti 3:00 PM August 29th, New York, NY.
http://www.bowerypoetry.com/#Event/81078
What people are saying
"The word that immediately comes to mind is "sensual." Ranson-Polizzotti poems are alive with the possibilities of the senses - of touching, of tasting, the joy of sight, the pleasures of taste - even in the absence of the spoken word. How sweetly ironic that the two people in "Such Fruit" don't say a single word."
~ Richard Kamins, The Hartford Courant

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